Mimeomeme* disseminates unusual sound art made by an eclectic collective of artists involved with phonography, no- and low-fidelity recordings, raw digital data, plunderphonics, primitive analog synthesis, noise, infrasound, and tape cut-ups as well as other oblique, not-yet-classified sonic epiphenomena.
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Here is what people are saying about the works on mimeomeme:
| Meri von KleinSmid's Ex Vivo: |
| "'Des Vetters Eckfenster left me wanting more, despite being perhaps the most disturbing piece of all." --Alex Young for furthernoise.org . |
| "I'll just state for the record that it's simply stunning..." --Tom Sekowski for GAZ-ETA . |
| "she creates sonic interpretations of emptiness, anxiety and conflict to illustrate her observations on culture, science and modernity" --Georgiana Cohen for Splendid E-Zine |
| Christopher DeLaurenti's N30: Live at the WTO Protest: |
| "N30" is part historical document, part musical composition using nontraditional instrumentation, part evidence to the importance of the event, and always riveting." --Dave Heaton, erasing clouds |
| "The work flows seamlessly, condensing the events of the day into something more than a narrative......The microphone captures what happens in its vicinity; the story develops itself" "The strength of N30 resides in the fact that DeLaurenti keeps things decent and true, letting the events unfold in your ears, putting you there. Don't worry about emotions; they will get to you just the same, ringing truer and more forcefully." -- François Couture, allmusic.com |
| Steve Barsotti's Say "tin-tah-pee-mick" : |
| "Barsotti weaves together numerous and diverse field and studio recordings into a heavy tapestry of sound, where in yer face square wave buzzes are intercut with all manner of strange rattles and crackles" "playing expertly with depth and drama in the mix - close-miked sounds inhabit the same space as distant, echoing crashes - eroding the idea of foreground and background" --Dan Warburton PARIS Transatlantic magazine |
| "...it makes my hair stand on end." " It's interactive listening, forcing you to endure the good, bad and ugly.." "...you can instantly recognize how Barsotti has sculpted an aural experience, rather than straight sound." --TJ Norris, M I C R O V I E W Volume 9 |